Sunday, August 29, 2010

Secret Scripture (James Tait Black Prize, Novel of the Year, and the Choice Award winner)

The Secret Scripture is a novel written by Irish playwright, novelist, and poet Sebastian Barry (1955- ), published in 2008, won the James Tait Black Memorial Prize and the Book of the Year at the 2008 Costa Awards, and at the Irish Book Awards, it won Novel of the Year and the Choice Award.


Plot Summary [1]

The main character is a one-hundred year old woman, Roseanne McNulty, who now resides in the Roscommon Regional Mental Hospital. Having been a patient for some fifty years or more, Roseanne decides to write an autobiography. She calls it "Roseanne's testimony of herself" and charts her life and that of her parents, living in Sligo at the turn of the 20th Century. She keeps her story hidden under the loose floorboard in her room, unsure as yet if she wants it to be found. The second narrative is the "commonplace book" of the current chief Psychiatrist of the hospital, Dr Grene. The hospital now faces imminent demolition. He must decide who of his patients are to be transferred, and who must be released into the community. He is particularly concerned about Roseanne, and begins tentatively to attempt to discover her history. It soon becomes apparent that both Roseanne and Dr Grene have differing stories as to her incarceration and her early life, but what is consistent in both narratives is that Roseanne fell victim to the religious and political upheavals in Ireland in the 1920s – 1930s.

Review [2]

" [Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night."
-Dinitia Smith, The New York Times

" Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down."
-Margot Livesey, The Boston Globe

"Luminous and lyrical."
-O, The Oprah Magazine

[1] http://en.wikipedia.org/wiki/The_Secret_Scripture#Plot_summary

[2] Amazon.com: The Secret Scripture



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Sunday, August 22, 2010

The Corrections (National Book Award, James Tait Black Prize, ... winner)

The Corrections is a novel by American novelist and essayist Jonathan Franzen (1959- ), published in 2001 and won the National Book Award in 2001 and the James Tait Black Memorial Prize in 2002; it was also shortlisted for numerous honors [for more details click here], making it one of the most honored works in recent history.

The Corrections revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-twentieth century to one last Christmas together near the turn of the millennium.


Alfred Lambert, the patriarch of a seemingly normal family living in the fictional town of St. Jude, suffers from Parkinson's disease and dementia. Enid, his long-suffering wife, suffers from Alfred's controlling, rigid behavior and her own embarrassment at what she perceives as her family's shortcomings. Their children all live in the Northeast. Gary, the eldest Lambert son, is a successful banker with clinical depression, caused by his wife and, as a result, becomes suspecting that his sons are conspiring against him. Chip, the middle child, is a brilliant college professor whose disastrous affair with a student sends his life into decline and lands him in the employ of a Lithuanian crime boss. Denise, the youngest of the family, is successful in her career as a chef. Circumstances lead her to become involved with her boss's wife. [1]

[1] Wikipedia.org: The Corrections

Tuesday, August 17, 2010

The Killer Angels (Pulitzer Prize winner)

The Killer Angels is a historical novel by American writer of science fiction, sports fiction, and historical fiction Michael Shaara (1928-1988); published in 1974 and was awarded the Pulitzer Prize in 1975.

The Killer Angels received the 1975 Pulitzer Prize for Fiction.

The Killer Angels has been required reading, at various times, at the US Army Officer Candidate School, The Citadel, the Military College of South Carolina, the U.S. Army Command and General Staff College, the U.S. Army War College, the U.S. Military Academy at West Point, the U.S. Army Special Forces Detachment Officer Qualification Course, and The Basic School for Marine Officers (TBS). It is one of only two novels on the U.S. Army's recommended reading list for Officer Professional Development. [1]


Amazon.com Review [2]

This novel reveals more about the Battle of Gettysburg than any piece of learned nonfiction on the same subject. Michael Shaara's account of the three most important days of the Civil War features deft characterizations of all of the main actors, including Lee, Longstreet, Pickett, Buford, and Hancock. The most inspiring figure in the book, however, is Col. Joshua Lawrence Chamberlain, whose 20th Maine regiment of volunteers held the Union's left flank on the second day of the battle. This unit's bravery at Little Round Top helped turned the tide of the war against the rebels. There are also plenty of maps, which convey a complete sense of what happened July 1-3, 1863. Reading about the past is rarely so much fun as on these pages. --This text refers to an alternate Paperback edition.

From Library Journal [2]

The late Shaara's Pulitzer Prize-winning novel (1974) concerns the battle of Gettysburg and was the basis for the 1993 film Gettysburg. The events immediately before and during the battle are seen through the eyes of Confederate Generals Lee, Longstreet, and Armistead and Federal General Buford, Colonel Joshua L. Chamberlain, and a host of others. The author's ability to convey the thoughts of men in war as well as their confusion-the so-called "fog of battle"-is outstanding. This unabridged version is read clearly by award-winning actor George Hearn, who gives each character a different voice and effectively conveys their personalities; chapters and beginnings and ends of sides are announced. Music from the movie version adds to the drama. All this comes in a beautiful package with a battle map. Recommended for public libraries not owning previous editions from Recorded Books and Blackstone Audio (Audio Reviews, LJ 2/1/92 and LJ 2/1/93, respectively).
Michael T. Fein, Catawba Valley Community Coll., Hickory, N.C.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved. [2]

1. THE SPY

He rode into the dark of the woods and dismounted. He crawled upward on his belly over cool rocks out into the sunlight, and suddenly he was in the open and he could see for miles, and there was the whole vast army below him, filling the valley like a smoking river. It came out of a blue rainstorm in the east and overflowed the narrow valley road, coiling along a stream, narrowing and choking at a white bridge, fading out into the yellowish dust of June but still visible on the farther road beyond the blue hills, spiked with flags and guidons like a great chopped bristly snake, the snake ending headless in a blue wall of summer rain.

The spy tucked himself behind a boulder and began counting flags. Must be twenty thousand men, visible all at once. Two whole Union Corps. He could make out the familiar black hats of the Iron Brigade, troops belonging to John Reynold's First Corps. He looked at his watch, noted the time. They were coming very fast. The Army of the Potomac had never moved this fast. The day was murderously hot and there was no wind and the dust hung above the army like a yellow veil. He thought: there'll be some of them die of the heat today. But they are coming faster than they ever came before.

He slipped back down into the cool dark and rode slowly downhill toward the silent empty country to the north. With luck he could make the Southern line before nightfall. After nightfall it would be dangerous. But he must not seem to hurry. The horse was already tired. And yet there was the pressure of that great blue army behind him, building like water behind a cracking dam. He rode out into the open, into the land between the armies.

There were fat Dutch barns, prim German orchards. But there were no cattle in the fields and no horses, and houses everywhere were empty and dark. He was alone in the heat and the silence, and then it began to rain and he rode head down into monstrous lightning. All his life he had been afraid of lightning but he kept riding. He did not know where the Southern headquarters was but he knew it had to be somewhere near Chambersburg. He had smelled out the shape of Lee's army in all the rumors and bar talk and newspapers and hysteria he had drifted through all over eastern Pennsylvania, and on that day he was perhaps the only man alive who knew the positions of both armies. He carried the knowledge with a hot and lovely pride. Lee would be near Chambersburg, and wherever Lee was Longstreet would not be far away. So finding the headquarters was not the problem. The problem was riding through a picket line in the dark.

The rain grew worse. He could not even move in under a tree because of the lightning. He had to take care not to get lost. He rode quoting Shakespeare from memory, thinking of the picket line ahead somewhere in the dark. The sky opened and poured down on him and he rode on: It will be rain tonight: Let it come down. That was a speech of murderers. He had been an actor once. He had no stature and a small voice and there were no big parts for him until the war came, and now he was the only one who knew how good he was. If only they could see him work, old cold Longstreet and the rest. But everyone hated spies. I come a single spy. Wet single spy. But they come in whole battalions. The rain began to ease off and he spurred the horse to a trot. My kingdom for a horse. Jolly good line. He went on, reciting Henry the Fifth aloud: 'Once more into the breech . . .'

Late that afternoon he came to a crossroad and the sign of much cavalry having passed this way a few hours ago. His own way led north to Chambersburg, but he knew that Longstreet would have to know who these people were so close to his line. He debated a moment at the crossroads, knowing there was no time. A delay would cost him daylight. Yet he was a man of pride and the tracks drew him. Perhaps it was only Jeb Stuart. The spy thought hopefully, wistfully: If it's Stuart I can ask for an armed escort all the way home. He turned and followed the tracks. After a while he saw a farmhouse and a man standing out in a field, in a peach orchard, and he spurred that way. The man was small and bald with huge round arms and spoke very bad English. The spy went into his act: a simple-minded farmer seeking a runaway wife, terrified of soldiers. The bald man regarded him sweatily, disgustedly, told him the soldiers just gone by were 'plu' soldiers, Yankees. The spy asked: What town lies yonder' and the farmer told him Gettysburg, but the name meant nothing. The spy turned and spurred back to the crossroads. Yankee cavalry meant John Buford's column. Moving lickety-split. Where was Stuart' No escort now. He rode back again toward the blue hills. But the horse could not be pushed. He had to dismount and walk.

That was the last sign of Yankees. He was moving up across South Mountain; he was almost home. Beyond South Mountain was Lee and, of course, Longstreet. A strange friendship: grim and gambling Longstreet, formal and pious old Bobby Lee. The spy wondered at it, and then the rain began again, bringing more lightning but at least some cooler air, and he tucked himself in under his hat and went back to Hamlet. Old Jackson was dead. Good night, sweet Prince, and flights of angels sing thee to thy rest . . .

He rode into darkness. No longer any need to hurry. He left the roadway at last and moved out in to a field away from the lightning and the trees and sat in the rain to eat a lonely supper, trying to make up his mind whether it was worth the risk of going on. He was very close; he could begin to feel them up ahead. There was no way of knowing when or where, but suddenly they would be there in the road, stepping phantomlike out of the trees wearing those sick eerie smiles, and other men with guns would suddenly appear all around him, prodding him in the back with hard steel barrels, as you prod an animal, and he would have to be lucky, because few men rode out at night on good and honest business, not now, this night, in this invaded country.

He rode slowly up the road, not really thinking, just moving, reluctant to stop. He was weary. Fragments of Hamlet flickered in his brain: If it be not now, yet it will come. Ripeness is all. Now there's a good part. A town ahead. A few lights. And then he struck the picket line.

There was a presence in the road, a liquid Southern voice. He saw them outlined in lightning, black ragged figures rising around him. A sudden lantern poured yellow light. He saw one bleak hawkish grinning face; hurriedly he mentioned Longstreet's name. With some you postured and with some you groveled and with some you were imperious. But you could do that only by daylight, when you could see the faces and gauge the reaction. And now he was too tired and cold. He sat and shuddered: an insignificant man on a pale and muddy horse. He turned out to be lucky. There was a patient sergeant with a long gray beard who put him under guard and sent him along up the dark road to Longstreet's headquarters.

He was not safe even now, but he could begin to relax. He rode up the long road between picket fires, and he could hear them singing in the rain, chasing each other in the dark of the trees. A fat and happy army, roasting meat and fresh bread, telling stories in the dark. He began to fall asleep on the horse; he was home. But they did not like to see him sleep, and one of them woke him up to remind him, cheerily, that if there was no one up there who knew him, why, then, unfortunately, they'd have to hang him, and the soldier said it just to see the look on his face, and the spy shivered, wondering, Why do there have to be men like that, men who enjoy another man's dying?

Longstreet was not asleep. He lay on the cot watching the lightning flare in the door of the tent. It was very quiet in the grove and there was the sound of the raindrops continuing to fall from the trees although the rain had ended. When Sorrel touched him on the arm he was glad of it; he was thinking of his dead children.

'Sir? You asked to be awakened if Harrison came back.'

'Yes.' Longstreet got up quickly and put on the old blue robe and the carpet slippers. He was a very big man and he was full-bearded and wild-haired. He thought of the last time he'd seen the spy, back in Virginia, tiny man with a face like a weasel: 'And where will your headquarters be, General, up there in Pennsylvania' 'Tis a big state indeed.' Him standing there with cold gold clutched in a dirty hand. And Longstreet had said icily, cheerily, 'It will be where it will be. If you cannot find the headquarters of this whole army you cannot be much of a spy.' And the spy had said stiffly, 'Scout, sir. I am a scout. And I am a patriot, sir.' Longstreet had grinned. We are all patriots. He stepped out into the light. He did not know what to expect. He had not really expected the spy to come back at all.

The little man was there: a soggy spectacle on a pale and spattered horse. He sat grinning wanly from under the floppy brim of a soaked and dripping hat. Lightning flared behind him; he touched his cap.

'Your servant, General. May I come down?'

Longstreet nodded. The guard backed off. Longstreet told Sorrel to get some coffee. The spy slithered down from the horse and stood grinning foolishly, shivering, mouth slack with fatigue.

'Well, sir? 'the spy chuckled, teeth chattering' 'you see, I was able to find you after all.'

Longstreet sat at the camp table on a wet seat, extracted a cigar, lighted it. The spy sat floppily, mouth still open, breathing deeply.

'It has been a long day. I've ridden hard all this day.'

'What have you got?'

'I came through the pickets at night, you know. That can be very touchy.'

Longstreet nodded. He watched, he waited. Sorrel came with steaming coffee; the cup burned Longstreet's fingers. Sorrel sat, gazing curiously, distastefully at the spy.

The spy guzzled, then sniffed Longstreet's fragrant smoke. Wistfully: 'I say, General, I don't suppose you've got another of those? Good Southern tobacco?'

'Directly,' Longstreet said. 'What have you got?'

'I've got the position of the Union Army.'

Longstreet nodded, showing nothing. He had not known the Union Army was on the move, was within two hundred miles, was even this side of the Potomac, but he nodded and said nothing. The spy asked for a map and began pointing out the positions of the corps.

'They're coming in seven corps. I figure at least eighty thousand men, possibly as much as a hundred thousand. When they're all together they'll outnumber you, but they're not as strong as they were; the two-year enlistments are running out. The First Corps is here. The Eleventh is right behind it. John Reynolds is in command of the lead elements. I saw him at Taneytown this morning.'

'Reynolds,' Longstreet said.

'Yes, sir.'

'You saw him yourself?'

The spy grinned, nodded, rubbed his nose, chuckled. 'So close I could touch him. It was Reynolds all right.'

'This morning. At Taneytown.'

'Exactly. You didn't know any of that, now did you, General?' The spy bobbed his head with delight. 'You didn't even know they was on the move, did ye? I thought not. You wouldn't be spread out so thin if you knowed they was comin'.'

Longstreet looked at Sorrel. The aide shrugged silently. If this was true, there would have been some word. Longstreet's mind moved over it slowly. He said: 'How did you know we were spread out?'

'I smelled it out.' The spy grinned, foxlike, toothy. 'Listen, General, I'm good at this business.'

'Tell me what you know of our position.'

'Well, now I can't be too exact on this, 'cause I aint scouted you myself, but I gather that you're spread from York up to Harrisburg and then back to Chambersburg, with the main body around Chambersburg and General Lee just 'round the bend.'

It was exact. Longstreet thought: if this one knows it, they will know it. He said slowly, 'We've had no word of Union movement.'

The spy bobbed with joy. 'I knew it. Thass why I hurried. Came through that picket line in the dark and all. I don't know if you realize, General?'

Sorrel said coldly, 'Sir, don't you think, if this man's story was true, that we would have heard something?'

[From the Hardcover edition.]

[1] Wikipedia.org: The Killer Angels

[2] The Killer Angels: The Classic Novel of the Civil War

Thursday, August 12, 2010

Savushun (a best-seller of all Persian novels)

Savushun , published in 1969, is a novel by Simin Daneshvar, a Persian academic, renowned novelist, fiction writer and translator of literary works. Savushun is about settled and tribal life in and around the author's home-town of Shiraz. A best-seller of all Persian novels, it has undergone at least sixteen reprints and two translations, the second carrying the English title, A Persian Requiem: A Novel by Simin Danesvar. Tr. Roxane Zand. London: Peter Halban, 1991. [1]


Review [2]

"For Western readers the novel not only offers an example of contemporary Iranian fiction; it also provides a rare glimpse of the inner workings of an Iranian family." --- -Washington Post Book World

"Daneshvar lovingly details the old Persian customs and way of life. And the conflict between an understandable yearning for peace and tranquillity in the face of change and tragedy is movingly evoked. It is a sympathetic but never sentimental account of one woman's rite of passage." --- -Kirkus Reviews

"An engrossing chronicle of life in Persia-just-turned-Iran by Simin Daneshvar. Her compassionate vision of traditional folk ways surviving amid the threats of modernity (including Allied occupation) give her work a resonant universality. Recent events only strengthen her position as a writer deserving a wider audience." --- -USA Today

Book Description [2]

Savushun chronicles the life of a Persian family during the Allied occupation of Iran during World War II. It is set in Shiraz, a town which evokes images of Persepolis and pre-Islamic monuments, the great poets, the shrines, Sufis, and nomadic tribes within a historical web of the interests, privilege and influence of foreign powers; corruption, incompetence and arrogance of persons in authority; the paternalistic landowner-peasant relationship; tribalism; and the fear of famine. The story is seen through the eyes of Zari, a young wife and mother, who copes with her idealistic and uncompromising husband while struggling with her desire for traditional family life and her need for individual identity.
Daneshvar's style is both sensitive and imaginative, while following cultural themes and metaphors. Within basic Iranian paradigms, the characters play out the roles inherent in their personalities. While Savushun is a unique piece of literature that transcends the boundaries of the historical community in which it was written, it is also the best single work for understanding modern Iran. Although written prior to the Islamic Revolution, it brilliantly portrays the social and historical forces that gave pre-revolutionary Iran its characteristic hopelessness and emerging desperation so inadequately understood by outsiders.

The original Persian edition of Savushun has sold over half a million copies.

"An engrossing chronicle of life in Persia-just-turned-Iran by Simin Daneshvar. Her compassionate vision of traditional folk ways surviving amid the threats of modernity (including Allied occupation) give her work a resonant universality. Recent events only strengthen her position as a writer deserving a wider audience." (USA Today)

"Daneshvar lovingly details the old Persian customs and way of life. And the conflict between an understandable yearning for peace and tranquillity in the face of change and tragedy is movingly evoked. It is a sympathetic but never sentimental account of one woman's rite of passage." (Kirkus Reviews)

"For Western readers the novel not only offers an example of contemporary Iranian fiction; it also provides a rare glimpse of the inner workings of an Iranian family." (Washington Post)

"Folklore and myth are expertly woven into a modern setting in this powerfully resonant work." (Publishers Weekly)

[1] Wikipedia.org: Simin Daneshvar
[2] Savushun: A Novel About Modern Iran (Persian Classics) (Persian Classics) (Persian Classics)

Tuesday, August 3, 2010

The White Tiger (Man Booker Prize winner)

The White Tiger is the debut novel by Indian journalist and author Aravind Adiga (1974- ). It was published in 2008 and won the Man Booker Prize in the same year.

The novel provides a dark comical view of modern day life in India through the narration of Balram Halwai, the main character. The overall main theme of the novel is the contrast between India's rise as a modern global economy and the working class people who live in crushing rural poverty. Other themes touched on include corruption endemic to Indian society and politics, familial loyalty versus independence, religious tensions between Hindus and Muslims, the experience of returning to India after living in America, globalization, and the tensions between India and China as superpower countries in Asia.[1]


Plot Summary [1]

The novel takes the form of a series of letters written late at night by Balram Halwai, the protagonist, to Wen Jiabao, the Premier of the State Council of the People's Republic of China, on the eve of his visit to India. In the letters, Balram describes his rise from lowly origins to his current position as an entrepreneur in Bangalore, as well as his views on India's caste system and its political corruption.

The protagonist Balram lived in the village of Laxmangarh, a fictional village in Bihar (not the village of Laxmangarh in Rajasthan), a community deep in the "Darkness" of rural India. The son of a rickshaw-puller; his family is too poor for him to be able to finish school, despite being brilliant and being promised a scholarship and instead he has to work in a teashop, breaking coals and wiping tables in Dhanbad. His parents originally named him “Munna”, but his schoolteacher Mr. Krishna wanted to give him a new name since Munna simply means “boy” in Hindi. He named him Balram. The name Balram refers to the brother of the Hindu god Krishna. His last name, Halwai, is derived from “sweet-maker” in the caste system.

In Dhanbad, he learns to drive after learning about the high salary paid to drivers. After learning how to drive, Balram gets his break when a rich man from his village, known simply as "The Stork" in his village because of his long nose, hires him as a chauffeur. Balram then drives for The Stork's son, who lives in the city of New Delhi, the 'Light' after recently migrating from America. The city is a revelation and eye-opening experience for Balram. As he drives his master and his wife to shopping malls and call centers, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he will never be able to gain access to that world. Through these experiences, Balram learns much about the world and later states that the streets of India provided him with all the education he needed.

Having recently returned from a stint in America, Ashok, one of the Stork's sons, is conflicted by the corruption and harshness of life in India. He also has to deal with his family’s unhappiness for marrying his current wife, Pinky Madam, as the two of them married in the US, not in India, which causes them to lose respect in the caste system. Ashok’s father also did not approve of the marriage because Pinky Madam is of another caste.

As Balram broods over his situation, he realizes that there is only one way he could become part of this glamorous new India — to murder his employer, Ashok, and escape from servitude. However, Ashok's participation in funding political corruption leads to his liberal and free-thinking spirit's demise and gives Balram a chance to become an entrepreneur. One day as Ashok is carrying seven hundred thousand rupees in cash as money bribes for politicians in New Delhi, Balram decides to murder him. The murder is a success as Ashok’s throat is slashed, propelling Balram to flee to Bangalore with his cousin Dharam. With the seven hundred thousand rupees he stole, Balram creates his own taxi company and changes his name to Ashok Sharma. Thus he becomes a wealthy entrepreneur in India's new technological society and emerges as a part of the top caste in the Indian society of the Light, namely the world belonging to rich people who live in large urbanized cities.

Review [2]

"Compelling, angry, and darkly humorous, The White Tiger is an unexpected journey into a new India. Aravind Adiga is a talent to watch." -- Mohsin Hamid, author of The Reluctant Fundamentalist

"An exhilarating, side-splitting account of India today, as well as an eloquent howl at her many injustices. Adiga enters the literary scene resplendent in battle dress and ready to conquer. Let us bow to him." -- Gary Shteyngart, author of Absurdistan and The Russian Debutante's Handbook

"The perfect antidote to lyrical India." - Publishers Weekly

"This fast-moving novel, set in India, is being sold as a corrective to the glib, dreamy exoticism Western readers often get...If these are the hands that built India, their grandkids really are going to kick America's ass...BUY IT." - New York Magazine

"Darkly comic...Balram's appealingly sardonic voice and acute observations of the social order are both winning and unsettling."- The New Yorker

"Aravind Adiga's The White Tiger is one of the most powerful books I've read in decades. No hyperbole. This debut novel from an Indian journalist living in Mumbai hit me like a kick to the head -- the same effect Richard Wright's Native Son and Ralph Ellison's Invisible Man had. - USA Today

"Extraordinary and brilliant... At first, this novel seems like a straightforward pulled-up-by-your-bootstraps tale, albeit given a dazzling twist by the narrator's sharp and satirical eye for the realities of life for India's poor... But as the narrative draws the reader further in, and darkens, it becomes clear that Adiga is playing a bigger game... Adiga is a real writer - that is to say, someone who forges an original voice and vision. There is the voice of Halwai - witty, pithy, ultimately psychopathic... Remarkable... I will not spoil the effect of this remarkable novel by giving away ... what form his act of blood-stained entrepreneurship takes. Suffice to say that I was reminded of a book that is totally different in tone and style, Richard Wright's Native Son, a tale of the murderous career of a black kid from the Chicago ghetto that awakened 1940s America to the reality of the racial divide. Whether The White Tiger will do the equivalent for today's India - we shall see." - Adam Lively, The Sunday Times (London)

"Fierce and funny...A satire as sharp as it gets." - Michael Upchurch, The Seattle Times

"There is a new Muse stalking global narrative: brown, angry, hilarious, half-educated, rustic-urban, iconoclastic, paan-spitting, word-smithing--and in the case of Aravind Adiga she hails from a town called Laxmangarh. This is the authentic voice of the Third World, like you've never heard it before. Adiga is a global Gorky, a modern Kipling who grew up, and grew up mad. The future of the novel lies here." - John Burdett, author of Bangkok 8

"Adiga's training as a journalist lends the immediacy of breaking news to his writing, but it is his richly detailed storytelling that will captivate his audience...The White Tiger echoes masterpieces of resistance and oppression (both The Jungle and Native Son come to mind) [and] contains passages of startling beauty...A book that carefully balances fable and pure observation." - Lee Thomas, San Francisco Chronicle


[1] The White Tiger, en.wikipedia.org

[2] The White Tiger, Amazon.com