Structure [1]
Part I: The Telemachiad
Episode 1, Telemachus
It is 8 a.m. Buck Mulligan (a callous, verbally aggressive and boisterous medical student) calls Stephen Dedalus (a young writer first encountered in A Portrait of the Artist as a Young Man) up to the roof of the Martello tower in Sandycove where they both live. Stephen is highly introspective and there is palpable tension between him and Mulligan, stemming from a cruel remark Stephen has overheard Mulligan making about his dead mother and from the fact that Mulligan has invited an English student, Haines, to stay with them. The three men eat breakfast and walk to the shore, where Mulligan goes swimming - although not before demanding the key to the tower and to be lent money. Departing, Stephen declares that he will not return to the tower tonight, citing Mulligan as a "Usurper." The episode introduces the Hamlet parallels which will recur throughout the novel, with the character of Stephen - dressed in black, brooding, tormented by ghosts - clearly echoing the character of Shakespeare's prince. The parallels with Homer are also evident here, with the young Telemachus oppressed by the unruly suitors usurping his home, consuming his wealth and estate, and seeking to woo his mother Penelope.
Episode 2, Nestor
Stephen is teaching a history class on the victories of Pyrrhus of Epirus. The class is visibly bored, unconcerned with the subject and not disciplined. Before seeing the boys out of the classroom, Stephen tells the students a cryptic and impenetrable riddle about a fox burying his grandmother under a bush, which falls flat. One student, Sargent, stays behind so that Stephen can show him how to do a set of arithmetic exercises. Stephen indulges him, but looks at the aesthetically unappealing Sargent and tries to imagine Sargent's mother's love for him. Afterwards, Stephen visits the anti-Semitic school headmaster, Mr. Deasy, from whom he collects his pay and a letter to take to a newspaper office for printing. Deasy lectures Stephen on the satisfaction of money earned and the importance of efficient money management. This scene is the source of some of the novel's most famous lines, such as Dedalus's claim that "history is a nightmare from which I am trying to awake" and that God is "a shout in the street." He rejects Deasy's biased recollection of past events, which he uses to justify his prejudices. At the end of this episode, Deasy makes another derogatory remark against the Jews, stating that Ireland has never extensively persecuted the Jews because they were never let in to the country.
Episode 3, Proteus
In this chapter, characterised by its stream of consciousness narrative style, the action is presented to the reader through the prism of Stephen's interior monologue. He finds his way to Sandymount Strand and mopes around for some time, mulling various philosophical concepts, his family, his life as a student in Paris, and again, his mother's death. As Stephen reminisces and ponders, he lies down among some rocks, watches a couple and a dog, scribbles some ideas for poetry, picks his nose, and urinates behind a rock.
Part II: The Odyssey
Episode 4, Calypso
The narrative shifts abruptly. The time is again 8 a.m., but the action has moved across the city to Eccles Street and to the second protagonist of the book, Leopold Bloom, a part-Jewish advertising canvasser. Bloom lives at No. 7 Eccles Street and is preparing breakfast at the same time as Mulligan in the tower. He walks to a butcher to buy a pork kidney for breakfast. He brings breakfast and the mail to his wife Molly as she lounges in bed. One of the letters (addressed in over-familiar fashion to Mrs Marion Bloom) is from her concert manager Blazes Boylan, whom she will welcome into her bed later that day. Bloom reads a letter from their daughter, Milly. The chapter closes with Bloom defecating in the outhouse.
Episode 5, Lotus Eaters
Bloom makes his way to Westland Row post office (by an intentionally indirect route), where he receives a love letter from one 'Martha Clifford' addressed to his pseudonym, 'Henry Flower'. He meets an acquaintance, C. P. M'Coy; while they chat, Bloom attempts to ogle a woman wearing stockings, but is prevented by a passing tram. Next, he reads the letter and tears up the envelope in an alley. He wanders into a Catholic church service and muses on theology. He goes to a chemist, Sweny's in Lincoln place, where he buys a bar of lemon soap. He then meets another acquaintance, Bantam Lyons, to whom he unintentionally gives a racing tip for the horse Throwaway. Finally, Bloom heads towards the baths.
Episode 6, Hades
The episode begins with Bloom entering a funeral carriage with three others, including Stephen's father Simon Dedalus. They drive to Paddy Dignam's funeral at Glasnevin cemetery, making small talk on the way. The carriage passes both Stephen and Blazes Boylan. There is discussion of various forms of death and burial, and Bloom is preoccupied by thoughts of his dead son, Rudy and the suicide of his father. They enter the chapel into the service and subsequently leave with the coffin cart. Bloom sees a mysterious man wearing a macintosh during the burial. Bloom continues to reflect upon death, but at the end of the episode rejects morbid thoughts to embrace 'warm fullblooded life'.
Episode 7, Aeolus
At the office of the Freeman's Journal, Bloom attempts to place an ad. After initial encouragement from the editor, Myles Crawford, he is unsuccessful. Stephen arrives bringing Deasy's letter about 'foot and mouth' disease, but the two do not meet. Stephen leads Crawford and others to the pub, telling an anecdote on the way about 'two Dublin vestals'. The episode is broken up into short sections by newspaper-style headlines, and is characterised by an abundance of rhetorical figures and devices.
Episode 8, Lestrygonians
Bloom's thoughts are peppered with references to food as lunchtime approaches. He meets an old flame, Josie Breen, and hears news of Mina Purefoy's labour. He enters the restaurant of the Burton Hotel where he is revolted by the sight of men eating like animals. Heading instead to Davy Byrne's, Bloom is greeted by Nosey Flynn. He consumes a gorgonzola cheese sandwich and a glass of burgundy, and muses upon the early days of his relationship with Molly and how the marriage has declined: 'Me. And me now.'. After Bloom leaves the restaurant, Nosey Flynn talks to other patrons about Bloom's sober character. Bloom heads towards the National Museum to look at the statues of Greek goddesses, and, in particular, their bottoms. Bloom suddenly spots Boylan across the street and, panicking, rushes into the museum.
Episode 9, Scylla and Charybdis
At the National Library, Stephen explains to various scholars his biographical theory of the works of Shakespeare, especially Hamlet, which he claims are based largely on the posited adultery of Shakespeare's wife, Anne Hathaway. Bloom enters the National Library to look up the Keyes ad. He encounters Stephen briefly and unknowingly at the end of the episode.
Episode 10, Wandering Rocks
In this episode, nineteen short vignettes depict the wanderings of various characters, major and minor, through the streets of Dublin. The episode ends with an account of the cavalcade of the Lord Lieutenant, William Humble, Earl of Dudley, through the streets, where it is encountered by the various characters we have met in the novel, although neither Stephen nor Bloom are among them.
Episode 11, Sirens
In this episode, dominated by motifs of music, Bloom has dinner with Stephen's uncle Richie Goulding at the Ormond Hotel, while Molly's lover, Blazes Boylan, proceeds to his rendezvous with her. While dining, Bloom watches the seductive barmaids Lydia Douce and Mina Kennedy and listens to the singing of Simon Dedalus and others.
Episode 12, Cyclops
This chapter is narrated largely by an unnamed denizen of Dublin, although his style of speech is heavily modelled on John Joyce, Joyce's father. He runs into Joe Hynes and they enter a pub for a drink. At the pub, they meet Alf Bergan and a character referred to only as the 'Citizen', who is largely modeled on Michael Cusack, founder of the Gaelic Athletic Association. Eventually, Leopold Bloom enters waiting to meet Martin Cunningham. The citizen is discovered to be a fierce Fenian and begins berating Bloom. The atmosphere quickly becomes anti-Semitic and Bloom escapes upon Cunningham's arrival. The chapter is marked by extended digressions made outside the voice of the unnamed narrator: hyperboles of legal jargon, Biblical passages, Irish mythology, etc., with lists of names often extending half a page. The episode title Cyclops refers both to the narrator, who is often quoted with 'says I', and to the Citizen, who fails to see the folly of his narrow-minded thinking. The episode ends with the Citizen hurling a biscuit tin at the swiftly exiting Bloom, who has cheekily reminded the Citizen that his Saviour was a Jew.
Episode 13, Nausicaa
The episode begins from the perspective of Gerty McDowell, a young woman on Sandymount strand contemplating love, marriage and femininity as night falls. The reader is gradually made aware that Bloom is watching her from a distance, and as she exposes her legs and underwear to him it is unclear how much of Gerty's narrative is actually Bloom’s sexual fantasy. Bloom’s masturbatory climax is echoed by the fireworks at the nearby bazaar. After Bloom’s orgasm and Gerty’s departure he grows pensive, brooding again on Molly and deciding to visit Mina Purefoy at the hospital. In the first half of the chapter the style parodies the cheap romantic magazines for women and feminine novelettes that were popular in the early 20th Century; precursors to 'chick-lit', the prose style of such publications was over-written and florid, full of cliches and hackneyed phrases. When the perspective switches to Bloom, the style reverts to the stream-of-consciousness manner familiar from earlier passages of the novel.
Episode 14, Oxen of the Sun
Bloom visits the maternity hospital where Mina Purefoy is giving birth, and finally meets Stephen, who is drinking with Buck Mulligan and his medical student friends. They continue on to a pub to continue drinking, following the successful birth of the baby. This chapter is remarkable for Joyce's wordplay, which seems to recapitulate the entire history of the English language to describe a scene in an obstetrics hospital, from the Carmen Arvale
Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.
to something resembling alliterative Anglo-Saxon poetry
In ward wary the watcher hearing come that man mildhearted eft rising with swire ywimpled to him her gate wide undid. Lo, levin leaping lightens in eyeblink Ireland's westward welkin. Full she dread that God the Wreaker all mankind would fordo with water for his evil sins. Christ's rood made she on breastbone and him drew that he would rathe infare under her thatch. That man her will wotting worthful went in Horne's house.
and on through skillful parodies of, among others, Malory, the King James Bible, Bunyan, Pepys, Defoe, Addison and Steele, Sterne, Goldsmith, Junius, Gibbon, Lamb, De Quincey, Landor, Dickens, Newman, Ruskin and Carlyle, before concluding in a haze of nearly incomprehensible slang, bringing to mind American English employed in advertising. Indeed, Joyce organised this chapter as three sections divided into nine total subsections, representing the trimesters and months of gestation.
This extremely complex chapter can be further broken down structurally. It consists of sixty paragraphs. The first ten paragraphs are parodies of Latin and Anglo-Saxon language, the two major predecessors to the English language, and can be seen as intercourse and conception. The next forty paragraphs, representing the 40 weeks of gestation in human embryonic development, begin with Middle English satires; they move chronologically forward through the various styles mentioned above. At the end of the fiftieth paragraph, the baby in the maternity hospital is born, and the final ten paragraphs are the child, combining all the different forms of slang and street English that were spoken in Dublin in the early part of the 20th century.
Episode 15, Circe
Episode Fifteen takes the form of a play script with stage directions and descriptions, with characters’ names appearing above their dialogue. The majority of the action of the episode occurs only as drunken hallucinations. This episode is the longest in the novel yet occurs within a rather short time-frame.
The episode opens on Mabbot Street, or what Joyce––following journalistic practice––calls "Nighttown", one of the entranceways to Dublin's red-light district. Stephen and Lynch walk toward a brothel. Bloom attempts to follow Stephen and Lynch to Nighttown, but soon loses them. Here, the episode's first hallucination begins, in which Bloom is confronted by family members, such as Molly Bloom and his parents, and also by Gerty MacDowell, in regards to various offences.
Awakening from this hallucination, Bloom feeds a dog. This act leads onto another hallucination in which Bloom is questioned by a pair of Night-Wardens. From here, Bloom then imagines facing trial, accused of a variety of outlandish crimes, including forgery and bigamy, possibly alluding to a subconscious guilt over his marital duplicity. Bloom is accused and testified against by recognisable figures like Myles Crawford, and Paddy Dignam. Mary Driscoll states that Bloom made inappropriate advances towards her when she was under his employment. Shaking off this fantasy, Bloom is approached by Zoe Higgins, a local prostitute. Zoe tells him Stephen is currently in the brothel that she works in. Another fantasy ensues, in which Bloom gives a campaign speech. Attracting the attention and subsequent admiration of both the Irish and Zionists, he is subsequently hailed as the leader of "Bloomusalem." The hallucination turns more surreal and unpredictable when Bloom is accused of yet more outlandish offenses and for having rumoured sexual abnormalities. Bloom is then declared a woman, and spontaneously gives birth to eight children. Zoe then reappears, signalling the end of the hallucination, with only a second having actually passed since she last spoke.
After Bloom is led inside the brothel and sees Stephen, another hallucination begins with the arrival of Lipoti Virag, who lectures Bloom about sexual attitudes and conduct. Then, the owner of the brothel, Bella Cohen, appears and soon turns into a male version of herself "Bello," who proceeds to dominate and humiliate Bloom, who is conversely referred to in the feminine. In this hallucination, Bloom proceeds to "die". After his "death" he converses with the nymph from the picture in the Blooms’ bedroom, who berates Bloom for his fallibility. Bloom, regaining a degree of triumphant confidence, stands up to the nymph, questioning her own sexual attitudes.
Bloom then returns to reality, finding Bella Cohen before him. Bloom takes his lucky potato from Zoe and Stephen pays for the services received, in his drunken state, paying far more than necessary. Seeing this, Bloom confiscates the rest of Stephen's money. Another hallucination starts, involving Bloom watching Boylan and Molly fornicate. Returning to consciousness, Bloom finds Stephen dancing to the pianola. Another hallucination then starts, this time Stephen's, in which the rotting cadaver of his mother rises up from the floor to confront him, a manifestation of his own guilt and lingering uncertainty over his role in his mother's death. Terrified, Stephen uses his walking stick to smash a chandelier. Bloom quickly repays Bella, who demands more than is fair for the damage, then runs after Stephen, worried for his safety.
Bloom quickly finds Stephen engaged in a heated argument, and Dedalus gets punched and knocked out. The police arrive and the crowd disperses. Bloom tends on and checks Stephen, as an apparition of Rudy, Bloom's deceased child, appears, underlining the parental feelings Leopold has built up toward the younger Stephen.
Part III: The Nostos
Episode 16, Eumaeus
Bloom and Stephen go to the cabman's shelter to restore the latter to his senses, where they encounter a drunken sailor, D. B. Murphy. The episode is dominated by the motif of confusion and mistaken identity, with Bloom, Stephen and Murphy's identities being repeatedly called into question. The rambling and laboured style of the narrative in this episode reflects the nervous exhaustion and confusion of the two protagonists. Leaving the shelter with Bloom, Stephen meets Corley, familiar to readers of the Dubliners story "Two Gallants".
Episode 17, Ithaca
Bloom returns home with Stephen, who refuses Bloom's offer of a place to stay for the night. The two men urinate in the backyard, Stephen departs and wanders off into the night, and Bloom goes to bed. The episode is written in the form of a rigidly organised catechism, and was reportedly Joyce's favourite episode in the novel.
Episode 18, Penelope
The final episode, which also uses the stream of consciousness technique seen in Episode 3, consists of Molly Bloom's Soliloquy: eight great run-on sentences (without punctuation) expressing the viewpoint of Bloom's wife.
The first sentence begins with Molly's thoughts of annoyance and surprise that Bloom has asked her to serve him breakfast in bed, as it is he that usually does this for her (as in the fourth episode, Calypso). She guesses that Bloom has had an orgasm today, and is reminded of his past possible infidelity with other women. In turn, she thinks of her afternoon spent with Boylan, whose conventional and masculine lovemaking technique provided a welcome change after a decade of celibacy and Bloom's strange lovemaking techniques. Yet, Molly feels Bloom is more virile than Boylan and remembers how handsome Bloom was when they were courting. Reminded of Josie's and the mentally unstable Denis Breen's marriage, Molly feels that she and Bloom are lucky, despite their current marital difficulties.
In Molly's second sentence, she reflects upon her previous and current admirers: Boylan; the tenor Bartell D’Arcy, who kissed her in a church; Lt. Gardner, who died during the Boer War. Molly then thinks about her husband's underwear fetish. She then thinks about seeing Boylan on Monday and their upcoming trip to Belfast alone. She then thinks of her career: concert singing, and Bloom's help. Thinking about her future meetings with Boylan, Molly decides that she must lose weight. She reflects that Bloom should quit his advertising job at Freeman and get better paid work elsewhere, say in an office, but then remembers having to plead with Mr. Cuffe, a previous employer, to get Bloom's job back after he was fired. Cuffe refused.
In the third sentence, Molly thinks of the time Bloom suggested she pose naked in exchange for money, and of pornographic imagery, which she associates with the nymph painting that Bloom used to explain the concept of metempsychosis earlier this morning. Her thoughts again turn to Boylan and of her orgasm earlier.
Molly's fourth sentence begins with a train whistle and her childhood in Gibraltar, her companions there, and recollections of how she had resorted to writing herself letters after they left, out of boredom and loneliness. Molly thinks about how Milly sent her a card this morning, whereas her husband received a whole letter. She imagines that she may receive another love letter from Boylan, as she did earlier.
This line of thought leads to the next sentence, in which she recalls her first love letter, from Lieutenant Mulvey, whom she kissed under the bridge in Gibraltar. She later lost contact with him and wonders what he would be like now. Her thoughts turn again to her career, and she remains dismissive of silly girl singers. Molly wonders what path her career could have taken had she not married Bloom.
In her sixth sentence, Molly thinks again about Milly and how it was Bloom's idea to send Milly to Mullingar to learn photography, because he sensed Molly's and Boylan's impending affair. She feels that Milly has become as Molly used to be. Molly senses the start of her period, confirmation that her tryst with Boylan has not caused a pregnancy. Events of the day spent with Boylan run through her mind.
In her seventh sentence, Molly climbs quietly back into bed and thinks of the times she and Bloom have had to relocate. Their financial situation makes Molly worry that Leopold may have wasted money on another woman, or on the Dignam family out of pity. Her mind then turns to Stephen, whom she met during his childhood. She conjectures that Stephen is probably not stuck-up, and is most likely clean. She fantasises about future sexual encounters with him, including fellatio. Molly resolves to study before meeting him so he will not look down upon her.
In her eighth sentence, Molly thinks of her husband's strange habits, how he never embraces her, instead kissing her bottom, as he did earlier. Molly speculates that the world would be much improved if it consisted of Matriarchal Societies, run exclusively by women. She thinks again of Stephen, and of his mother's death, and that of Rudy's death, she then ends this line of thought as it is making her depressed. Molly thinks about arousing Bloom in the morning, then revealing the details of her affair with Boylan to make him realise his culpability. Molly then decides to procure some flowers, in case Stephen Dedalus decides to come around. Thinking of flowers, Molly thinks of the day she and Bloom spent at Howth, his marriage proposal, and her response, reaffirming her love for Leopold, even during a period of turbulence within the marriage.
The concluding period following the final words of her reverie is one of only three punctuation marks in the chapter, the others being after the fourth and eighth "sentences." When written this episode contained the longest "sentence" in English literature, 4,391 words expressed by Molly Bloom.
[1] http://en.wikipedia.org/wiki/Ulysses_(novel)
No comments:
Post a Comment